The Musical Human: A History of Life on Earth – A BBC Radio 4 'Book of the Week'
Michael Spitzer
Apr 2021 · Bloomsbury US Audio · Narrated by Daniel Levitin
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17 hr 18 min
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About this audiobook
Bloomsbury presents The Musical Human by Michael Spitzer, read by Daniel Levitin.
"Michael Spitzer has pulled off the impossible: a Guns, Germs and Steel for music." —Daniel Levitin
A colossal history spanning cultures, time, and space to explore the vibrant relationship between music and the human species.
165 million years ago saw the birth of rhythm.
66 million years ago was the first melody.
40 thousand years ago Homo sapiens created the first musical instrument.
Today music fills our lives. How we have created, performed and listened to this music throughout history has defined what our species is and how we understand who we are. Yet music is an overlooked part of our origin story. The Musical Human takes us on an exhilarating journey across the ages – from Bach to BTS and back – to explore the vibrant relationship between music and the human species. With insights from a wealth of disciplines, world-leading musicologist Michael Spitzer renders a global history of music on the widest possible canvas, looking at music in our everyday lives; music in world history; and music in evolution, from insects to apes, humans to AI. Through this journey we begin to understand how music is central to the distinctly human experiences of cognition, feeling and even biology, both widening and closing the evolutionary gaps between ourselves and animals in surprising ways.
The Musical Human boldly puts the case that music is the most important thing we ever did; it is a fundamental part of what makes us human.
"Michael Spitzer has pulled off the impossible: a Guns, Germs and Steel for music." —Daniel Levitin
A colossal history spanning cultures, time, and space to explore the vibrant relationship between music and the human species.
165 million years ago saw the birth of rhythm.
66 million years ago was the first melody.
40 thousand years ago Homo sapiens created the first musical instrument.
Today music fills our lives. How we have created, performed and listened to this music throughout history has defined what our species is and how we understand who we are. Yet music is an overlooked part of our origin story. The Musical Human takes us on an exhilarating journey across the ages – from Bach to BTS and back – to explore the vibrant relationship between music and the human species. With insights from a wealth of disciplines, world-leading musicologist Michael Spitzer renders a global history of music on the widest possible canvas, looking at music in our everyday lives; music in world history; and music in evolution, from insects to apes, humans to AI. Through this journey we begin to understand how music is central to the distinctly human experiences of cognition, feeling and even biology, both widening and closing the evolutionary gaps between ourselves and animals in surprising ways.
The Musical Human boldly puts the case that music is the most important thing we ever did; it is a fundamental part of what makes us human.
Bloomsbury presents The Musical Human by Michael Spitzer, read by Daniel Levitin.
"Michael Spitzer has pulled off the impossible: a Guns, Germs and Steel for music." —Daniel Levitin
A colossal history spanning cultures, time, and space to explore the vibrant relationship between music and the ...
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About the author
Michael Spitzer is professor of music at the University of Liverpool, where he leads the department’s work on classical music. A music theorist and musicologist, he is an authority on Beethoven, with interests in aesthetics and critical theory, cognitive metaphor, and music and affect. He organized the International Conferences on Music and Emotion and the International Conference on Analyzing Popular Music and currently chairs the editorial board of Music Analysis Journal.
Michael Spitzer is professor of music at the University of Liverpool, where he leads the department’s work on classical music. A music theorist and musicologist, he is an authority on Beethoven, with interests in aesthetics and critical theory, cognitive metaphor, and music and affect. He organiz...
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