Rebel Lady, Convenient Wife
ΡΠ΅Π± 2009. Β· Harlequin Historical
Π-ΠΊΡΠΈΠ³Π°
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Π‘ΡΡΠ°Π½ΠΈΡΠ°
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ΠΡΠΏΡΡΠ°Π²Π° ΡΡΠ»ΠΎΠ²Π΅
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Π ΠΎΠ²ΠΎΡ Π΅-ΠΊΡΠΈΠ·ΠΈ
Driven from her home by accusations of witchcraft, Lady Anna Fenwick embarks on a dangerous quest. Her reluctant protector is darkly brooding Jack Milburn, a merchant venturer with a shadowed past.
Jack exists only to exact his revenge on the man who killed his lover and their son, but Anna slowly teaches him how to feel again. So when fate returns Jack's son to him, miraculously alive and well, marriage seems the answer. But will Anna ever be more to Jack than his convenient bride?
Jack exists only to exact his revenge on the man who killed his lover and their son, but Anna slowly teaches him how to feel again. So when fate returns Jack's son to him, miraculously alive and well, marriage seems the answer. But will Anna ever be more to Jack than his convenient bride?
Driven from her home by accusations of witchcraft, Lady Anna Fenwick embarks on a dangerous quest. Her reluctant protector is darkly brooding Jack Milburn, a merchant venturer with a shadowed past.
Jack exists only to exact his revenge on the man who killed his lover and their son, but Anna slow...
ΠΡΠΊΡΠΈΡΡΠ΅ ΡΠΎΡ
Π Π°ΡΡΠΎΡΡ
June Francis' introduction to stories was when her father came home from the war and sat her on his knee and told her tales from Hans Christian Anderson. Being a child during such an austere period, her great escape was the cinema where she fell in love with Hollywood movies, loving in particular musicals and Westerns. Years later, after having numerous articles published in a women's magazine, she knew that her heart really lay in the novel and June has been writing ever since.
June Francis' introduction to stories was when her father came home from the war and sat her on his knee and told her tales from Hans Christian Anderson. Being a child during such an austere period, her great escape was the cinema where she fell in love with Hollywood movies, loving in particular...
ΠΡΠ΅Π½ΠΈΡΠ΅ ΠΎΠ²Ρ Π΅-ΠΊΡΠΈΠ³Ρ
ΠΠ°Π²ΠΈΡΠ΅ Π½Π°ΠΌ ΡΠ²ΠΎΡΠ΅ ΠΌΠΈΡΡΠ΅ΡΠ΅.
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ΠΠ° Π±ΠΈΡΡΠ΅ ΡΠΈΡΠ°Π»ΠΈ Π½Π° ΡΡΠ΅ΡΠ°ΡΠΈΠΌΠ° ΠΊΠΎΡΠ΅ ΠΊΠΎΡΠΈΡΡΠ΅ Π΅-ΠΌΠ°ΡΡΠΈΠ»ΠΎ, ΠΊΠ°ΠΎ ΡΡΠΎ ΡΡ Kobo Π΅-ΡΠΈΡΠ°ΡΠΈ, ΡΡΠ΅Π±Π° Π΄Π° ΠΏΡΠ΅ΡΠ·ΠΌΠ΅ΡΠ΅ ΡΠ°ΡΠ» ΠΈ ΠΏΡΠ΅Π½Π΅ΡΠ΅ΡΠ΅ Π³Π° Π½Π° ΡΡΠ΅ΡΠ°Ρ. ΠΡΠ°ΡΠΈΡΠ΅ Π΄Π΅ΡΠ°ΡΠ½Π° ΡΠΏΡΡΡΡΠ²Π° ΠΈΠ· ΡΠ΅Π½ΡΡΠ° Π·Π° ΠΏΠΎΠΌΠΎΡ Π΄Π° Π±ΠΈΡΡΠ΅ ΠΏΡΠ΅Π½Π΅Π»ΠΈ ΡΠ°ΡΠ»ΠΎΠ²Π΅ Ρ ΠΏΠΎΠ΄ΡΠΆΠ°Π½Π΅ Π΅-ΡΠΈΡΠ°ΡΠ΅.
