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āđāļĄ.āļĒ. 2025 · String āļāļāļąāļāļāļĩāđ 5 · Simon and Schuster
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Bubble Zoom
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Being kidnapped is a major problem. Getting taken to a second location is a worse problem. Having the kidnapper be someone whoâs already killed several other people, and who can easily get away with another murder? Yeah, thatâs a definite complication. Also, ice cream, and Luke NOT reuniting with an old flame, and an unexpected liaison, and Joon desperately hoping to find the right string to wrap things up nicely, rather than the string that will break! Written by multiple Eisner-award winning Paul Tobin, and drawn by the amazing Carlos Javier Olivares!
Being kidnapped is a major problem. Getting taken to a second location is a worse problem. Having the kidnapper be someone whoâs already killed several other people, and who can easily get away with another murder? Yeah, thatâs a definite complication. Also, ice cream, and Luke NOT reuniting with...
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1 āļĢāļĩāļ§āļīāļ§
āđāļāļĩāđāļĒāļ§āļāļąāļāļāļđāđāđāļāđāļ
World's 53rd Most Handsome Author, known for Colder, Bandette, Plants vs. Zombies, and eating cookies.
Carlos Javier Olivares started his career as a professional comic book artist with Spanish companies CamaleÃģn and Planeta Agostini. He has worked in the french market at Soleil and in the American market for companies such as Marvel, Blizzard, Boom Studios, and Aftershock.
Sara Colella is an illustrator and comic artist living in Rome. She works as a colorist for both US-based and French comic book publishers and as an illustrator in Italy and France. She has worked as a storyboard artist for commercials and an illustrator for web content in an advertising agency based out of Rome. Sara's been collaborating with a theater company for several years making their posters.
Taylor Esposito is multi-award winning comic book lettering professional, owner of Ghost Glyph Studios, and teacher at the legendary Kubert School. A former staff letterer at DC and production artist at Marvel, he has lettered titles such as Red Hood and The Outlaws, Robin Lives!, and Harley Quinn The Eat KILL Bang Tour; Flash Gordon, Edenfrost (Mad Cave Studios), Exorsisters, Drawing Blood (Image); Babyteeth, Maniac of New York, Bunny Mask (Aftershock); No One Left to Fight and Survival Street (Dark Horse). Other publishers he has worked with include BOOM! Studios (Amory Wars, Fence) Dynamite (Elvira, Space Ghost, Jonny Quest, Green Hornet), and IDW (Brynmore).
Carlos Javier Olivares started his career as a professional comic book artist with Spanish companies CamaleÃģn and Planeta Agostini. He has worked in the french market at Soleil and in the American market for companies such as Marvel, Blizzard, Boom Studios, and Aftershock.
Sara Colella is an illustrator and comic artist living in Rome. She works as a colorist for both US-based and French comic book publishers and as an illustrator in Italy and France. She has worked as a storyboard artist for commercials and an illustrator for web content in an advertising agency based out of Rome. Sara's been collaborating with a theater company for several years making their posters.
Taylor Esposito is multi-award winning comic book lettering professional, owner of Ghost Glyph Studios, and teacher at the legendary Kubert School. A former staff letterer at DC and production artist at Marvel, he has lettered titles such as Red Hood and The Outlaws, Robin Lives!, and Harley Quinn The Eat KILL Bang Tour; Flash Gordon, Edenfrost (Mad Cave Studios), Exorsisters, Drawing Blood (Image); Babyteeth, Maniac of New York, Bunny Mask (Aftershock); No One Left to Fight and Survival Street (Dark Horse). Other publishers he has worked with include BOOM! Studios (Amory Wars, Fence) Dynamite (Elvira, Space Ghost, Jonny Quest, Green Hornet), and IDW (Brynmore).
World's 53rd Most Handsome Author, known for Colder, Bandette, Plants vs. Zombies, and eating cookies.
Carlos Javier Olivares started his career as a professional comic book artist with Spanish companies CamaleÃģn and Planeta Agostini. He has worked in the french market at Soleil and in the Ameri...
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